This poster for illustrates many people's expectations from films of this genreSword-and-sandal, also known as peplum ( pepla plural), is a of largely -made historical or Biblical epics mostly set in the or medieval period. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as,. These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by the and films.The term 'peplum' (a Latin word referring to the Ancient Greek garment ), was introduced by French film critics in the 1960s.

The terms ' and 'sword-and-sandal' were used in a condescending way by film critics. Later, the terms were embraced by fans of the films, similar to the terms 'spaghetti Western' or 'shoot-'em-ups'. In their English versions, peplum films can be immediately differentiated from their Hollywood counterparts by their use of 'clumsy and inadequate' English language. A 100-minute documentary on the history of Italy's peplum genre was produced and directed by Antonio Avati in 1977 entitled Kolossal: i magnifici Maciste (aka Kino Kolossal).Italian epic films set in antiquity that were produced before the 1958 peplum wave proper, such as (1949) and (1954), have been called proto-peplum. And recent films set in such Greco-Roman times (made after the peplum wave ended in 1965) have been called neo-peplum. Contents.Genre characteristics Sword-and-sandal films are a specific class of Italian films that have subjects set in Biblical or, often with plots based more or less loosely on, history or the other contemporary cultures of the time, such as the, and, as well as medieval times.

Not all of the films were fantasy-based by any means. Many of the plots featured actual historical personalities such as, and, although great liberties were taken with the storylines. And rebelling against tyrannical rulers, pirates and swashbucklers were also popular subjects.As Robert Rushing defines it, peplum, 'in its most stereotypical form,. depicts muscle-bound heroes (professional bodybuilders, athletes, wrestlers, or brawny actors) in mythological antiquity, fighting fantastic monsters and saving scantily clad beauties. Rather than lavish epics set in the classical world, they are low-budget films that focus on the hero's extraordinary body.'

Not to be confused with the Swords& Sandals 3 arena champion Evil Ninja Redux. The Evil Ninja is a character the 2nd boss of S&S 2 held in the Provincial Arena. Swords and Sandals 2 Game Files - Crazy Games. Swords and Sandals 2 is a thrilling battle game. It can be played here on CrazyGames.com in your browser, for free. This highly addictive action game uses Flash to work in most browsers. EGames.com created Swords and Sandals 2. It has received 858,254 plays and has been rated 9.1 / 10.

Thus, most sword-and-sandal films featured a superhumanly strong man as the protagonist, such as, or Italy's own popular folk hero. In addition, the plots typically involved two women vying for the affection of the bodybuilder hero: the good love interest (a needing rescue), and an evil femme fatale queen who sought to dominate the hero.Also, the films typically featured an ambitious ruler who would ascend the throne by murdering those who stood in his path, and often it was only the muscular hero who could depose him. Thus, Maria Elena D'Amelio points out the hero's often political goal: 'to restore a legitimate sovereign against an evil dictator.' Many of the peplum films involved a clash between two populations, one civilized and the other barbaric, which typically included a scene of a village or city being burned to the ground by invaders. For their musical content, most films contained a colorful dancing girls sequence, meant to underline pagan.Precursors of the sword-and-sandal wave (pre-1958) Italian films of the silent era Italian filmmakers paved the way for the peplum genre with some of the earliest silent films dealing with the subject, including the following:.

Miele cooktop replacement parts. The Sack of Rome (1905). (1911). (1911). The Queen of Nineveh (1911, directed by ).

(1911). (1913, directed by ). (1913). (1914, directed by ). (1914). Saffo ( Sappho, 1918, directed by Antonio Molinari). (1918).

(1918). Attila (1919, directed by F. Mari). Venere ( Venus, 1919, directed by Antonio Molinari). Il mistero di Osiris ( The Mystery of Osiris, 1919, directed by Antonio Molinari). Giuliano l'Apostata (1919, directed by ).

Giuditta e Oloferne ( Judith and Holofernes, 1920, directed by Antonio Molinari)., (1920). (1924). ( The Last Days of Pompeii (1926) directed by and )The silent Maciste films (1914–1927) The Italian silent film was one of the first films set in antiquity to make use of a massively muscled character, (played by actor ), who served in this premiere film as the hero's slavishly loyal sidekick. Maciste became the public's favorite character in the film however, and Pagano was called back many times to reprise the role. The Maciste character appeared in at least two dozen Italian silent films from 1914 through 1926, all of which featured a protagonist named Maciste although the films were set in many different time periods and geographical locations.Here is a complete list of the silent Maciste films in chronological order:.

(1914) introduced the Maciste character. Maciste (1915) a.k.a. A poster for starringA series of 19 Hercules movies were made in Italy in the late '50s and early '60s. The films were all sequels to the successful Steve Reeves peplum (1958), and each film was a stand-alone story not connected to the others. The actors who played Hercules in these films were followed by, Kirk Morris, (billed as ). In a 1997 interview, Reeves said he felt his two Hercules films could not be topped by another sequel, so he declined to do any more Hercules films.The films are listed below by their American release titles, and the titles in parentheses are their original Italian titles with an approximate English translation.

Dates shown are the original Italian theatrical release dates, not the U.S. Main article:The Sons of Hercules was a syndicated television show that aired in the United States in the 1960s. The series repackaged 14 randomly chosen Italian peplum films by unifying them with memorable title and end title theme songs and a standard voice-over intro relating the main hero in each film to Hercules any way they could. In some areas, each film was split into two one-hour episodes, so the 14 films were shown as 28 weekly episodes. None of the films were ever theatrically released in the U.S.The films are not listed in chronological order, since they were not really related to each other in any way. The first title listed below for each film was its American broadcast television title, followed in parentheses by the English translation of its original Italian theatrical title:.

( Ursus) 1961, starring Ed Fury, a.k.a. Mighty Ursus in England. ( ) 1961, starring Mark Forest. ( The Triumph of Maciste) 1961, starring Kirk Morris. ( Maciste vs.

The Monsters) 1962, starring Reg Lewis. ( Mars, God Of War) 1962, starring Roger Browne. ( ) 1962, starring Mike Lane. Medusa Against the Son of Hercules ( Perseus The Invincible) 1962, starring Richard Harrison. ( Ursus In The Land Of Fire) 1963, starring Ed Fury. ( ) 1963, starring Gordon Scott. ( The Last Gladiator) 1963, starring Richard Harrison.

( Hero of Babylon) 1963, starring Gordon Scott, a.k.a. Goliath, King of the Slaves. ( Maciste, Gladiator of Sparta) 1964, starring Mark Forest.

( ) 1964, starring Dan Vadis. ( ) 1964, starring Kirk Morris, directed by, a.k.a. The Slave Merchants, a.k.a. Soraya, Queen of the DesertSteve Reeves pepla (in chronological order of production).